Blue Room : Freely Adapted from Arthur Schnitzler's La Ronde Bill Bryson Worn down by years of

Worn down by years of trying to live the Seattle life she never wanted

and a successful businessman reflects on the women he has loved and lost

The stakes are high

The cops are ready to throw the book at the pretty blond coed whose prints are all over the murder weapon

hanging in the sky above the school: the blazing green skull with a serpent tongue—the Dark Mark left behind by the Death Eaters wherever they had entered a building

Blue Room : Freely Adapted from Arthur Schnitzler's La Ronde Bill Bryson Worn down by years ofArthur Schnitzler described Reigen, his loose series of sexual sketches, as "completely unprintable, " and indeed its premiere in 1921 spurred an obscenity suit. It was only when Max Ophuls made his famous film in 1950 that the work became better known as La Ronde. Now David Hare has reset these circular scenes of love and betrayal in the present day, with a cast of two actors playing a succession of characters whose sexual lives enmesh like a daisy