Where we come from Bluesville "We're at a point now

"We're at a point now where playing and writing together can sometimes feel almost telepathic

the set is steeped in what Hutchings calls Afro-futurism

and chose the environs of Studio S2 at the Polish Radio building in Warsaw where she had conducted sessions for her debut album ‘Esja’

Apeland’s collection of pieces from local singers who have helped to keep the traditions alive forms the basis of the repertoire here

but here led by Henderson (tenor sax) and accompanied by Bob Cranshaw (bass) is an urgent and urban counterpoint to the spirituality of that record

Where we come from Bluesville "We're at a point nowTaken from live improvisation to live sampling and amp; recomposition to borderdefying beat collage a new jazz mixtape tells a many splendored tale of Trans Atlantic collaboration in constant cadence. Over the course of 3 days in London, drummer producer Makaya McCraven connected with first time collaborators (Theon Cross, Nubya Garcia, Joe Armon Jones, Soweto Kinch, Ashley Henry, Daniel Casimir and Kamaal Williams) and did 2 improvised performances